ARSITEKTUR BALI

Traditional Balinese Arsitekur

Balinese people strongly believe that she lives in the world

bring the mission to create a good life on earth and if

kindness received by the Sang Hyang Widi then he joined

with the universe and leave the mortal world to moksa

toward nirvana, the universe and unite with the gods to

forever, that is what is called dharma. But when humans Bali

make a mistake then when dead he will do

reincarnation to cleanse his sins come back until later

accepted by the Lord. This is the concept of Balinese cosmology is also held

in Balinese architecture architecture based on the harmony and

harmony of life.

Balinese cosmology is a hierarchy that divides the relationship

Balinese man with the universe in such order as

follows:

* Bhur universe, where the gods bersemayamnya.
* Bwah, human nature and everyday life filled with
* Worldly temptations, associated with materialism.
* Swah, abject nature of the symbolic existence of evil and lust
* Which always tempt people to do deviate from
* Dharma.

Nawa Sanga

Nawa Sanga is a concept that 9 of the wind guide

for the daily life of the people of Bali. As with

cardinal direction north - south is called Kaja - Kelod, and east -

west called Kangin - kaluh. This is very important because

Balinese orientation of Mount Agung and the direction of the rising sun

to guide perletakan housing patterns in general.

North represents the god Vishnu, Brahma south, east god

Iswara and west god Mahadeva.

BALI ARCHITECTURE METHODOLOGY

Traditional Balinese architecture is inseparable from the existence of Kosala asta --

kosali containing about making rules and the house or castle

rule-making places of worship or temple. In Kosala asta-kosali

mentioned that the rules of making a home must

rules follow the owner's anatomy homeowner

with the help of the pedande or undagi as saints

has the authority to help build a house or temple.

In Kosala asta-there kosali measures or dimensions that

based on the size or dimensions based on the size of jarijari

the landlord who will occupy the house. Like must,

the size or dimensions to the size of his fist with the thumb

is facing upwards.

Hasta inch size range for the human hands of the gods

wrist-hand middle finger to the tip of the middle open.

Depa used to measure the span between the two hands

dilentangkan from left to right.
ARCHITECTURE AND SOCIAL STATUS

Balinese traditional architecture can not be removed from the status conditions

social community. This happens because the people of Bali are very close

kekerabatannya relations especially in the traditional Balinese society.

Balinese are respected caste hierarchy model is

attitude of their lives in accordance with of their religion. And this

impact on space and traditional Balinese architecture.

The division of caste as a level in the status hierarchy sosila

Balinese society starting from the bottom of sudra, as

public ordinary daily life to work as

farmers, servants, attendants and other jobs in the


community. Communities generally live sudra sedehana because

they do not have enough knowledge in science

knowledge, commercial science and science administration.

Then Weisya the people who is a

traders or entrepreneurs. This class society is established because

his business and his knowledge of trade and arithmetic,

so life fulfilled.

Satria is a pretty respectable strata of the profession as a

royal soldiers or government officials. They are educated enough

therefore they have sufficient knowledge of soldiering, or government,

so they also include the educated enough, or

can at least learn the state. Life of the warrior

well-established position in society as a fairly respectable.

The highest caste is the Brahmins, a tribute

highest Balinese society for a religious leader or a person

considered qualified in religion, or also called Pedande.

A saint who has achieved enlightenment that Widhi Trance

titahnya a revelation that was brought from Mahadeva.

This hierarchical system in the system tertranformasi even space pattern

at home buildings, public and in temples. Like

a compound term for the most part outside the building, for kebudian jabajero

definite part of space between the outer and inner, or living room.

And kebudian jero for describing the deepest part of the

a pattern which is regarded as the most sacred space, or at least

privacy for residences.


CONSTRUCTION TECHNIQUES AND MATERIALS

Construction systems in the traditional Balinese architecture considering

concept called tri antlers, which is a concept hierarchy from the start

reptile, intermediate and primary.

Reptile described a bottom of a hierarchy of levels, which

usually realized by the foundation or the bottom bangunana

a building above a building as a buffer. Or if

in the pole column. The material can be made of brick or stone

mountain. The bricks are arranged in a form that is quite neat

in accordance with the dimensions of space that will be made on the surface of the brick

or stone mountain made elements such as leveling penghalus

flat. Or is the final plaster was also described as abject

Under natural or evil nature or lust.

Admiral is the center of the building are realized in

building walls, windows and doors. Madya describe the strata

human or human nature.


The main building is a symbol from the top of the realized

in the form of roof is also believed as the most sacred places in

home so that is also described where the gods or ancestors lived

those who have died. In part this roof material

used in traditional architecture is roofed and the roof of reeds.

Other construction system is a multiple of the pole system

buffer or columns especially residential buildings or buildings

common.

Bale sakepat is building with numbered poles

four pieces, with the construction of a unified field pole in a

top of the roof. So there are no horses.

Bale sakenam is building with numbered poles

six in a row of 2 x 3 columns.


Sanga pole Bale is a bale with poles

nine and usually in the formation of 3 x 3.

Sakarolas bale or bale bale gede is a pillar

twelve and usually with the formation of 3 x 4.

While the number of columns wantilan lined up in formation 2 x

2 x 8 or 12 so that the building a row of elongated follow

column.

PATTERN hierarchy residential space

Rumah Bali stay home community is very unique because it does not stay

in a single Unitary ATAP merupakam divided but in some

Space of self-standing room space in which, according to the pattern set

Concept and direction of the wind axis Mount Agung.

This hierarchy is because of differences requires

strata-space arrangements in the living room of the house. Like

bed halny parents and children should be separated, and also

The kitchen and the relationship between the family shrine. To understand

This space hierarchy penates residence in Bali should be understood

nine existence Identiko with the directions of the compass North, South

east and west.

For Those in the east to the axis toward the Mount Agung

The main location lived in the house, so the location is typically used

cult place to place in Bali or in pamerajan call. To

know the traditional pattern of Balinese Room home then we should

• bagi-bagi mengenali Ruang pada tinggal rumah tradisional Bali. Angkul-angkul the entrance of the temple that serves as a moment in the temple as the entrance gate. Angkul usually Angkul-teletak in Kelod Kauh.

• Protective cover is the entrance that serves as an entry so pengalijalan driveway but not straight into the side. This is intended to be the view from the outside does not directly straight into the. Shelter located in kaluh Kelod.

* 3. Background or the central courtyard as the outer space.
* 4. This is the place Pamerajan ceremony used for the family. Rather than the traditional
villages each family generally located in mempunyaipamerajan Kangin rich in the living pattern of nine squares.
* 5. Umah Meten the space normally used to sleep Kapala family so must be fairly respectable position is in wealth.
* 6. Bale sanga pole normally used as a space for receiving guests placed in a location Kauh.
* 7. Sakepat Bale, Bale is usually used for bed anakanak or other family member who was a junior. Bale is usually located in sakepat Kelod.
* 8. Bale Dangin is usually used to sit around making bendabenda art or knitting clothing for children and husband. Dangin Bale Kangin is located at the site.
* 9. Paon is the cook for the family, its position is at Kangin Kelod.
* 10. Barn as a place to store the crop, in the form of paddy and other plantations.

6. IMAGES-IMAGES BALI TRADITIONAL BUILDING

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